On November 22, 2010, the song "Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action" was released by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra. Since Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Tchaikovsky: Schwanensee (Highlights)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina: Zwischenaktmusik zum 2. Bild des 4. Aufzuges: Die Fahrt des Fürsten Galitzyn in die Verbannung | Modest Mussorgsky, Karl Anton Rickenbacher | E♭ Minor | 0 | 2A | 121 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): III. Elfenmarsch / Marche des Elfes | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 0 | 8B | 147 BPM | ||
Le Corsaire: Act II - "7. Grand Pas: Coda: Ali, Medora, Conrad" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E♭ Major | 2 | 5B | 74 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | G Major | 1 | 9B | 154 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
The Seasons | Alexander Glazunov, Orchestra of the Royal Opera House & Covent Garden, Barry Wordsworth | D Major | 2 | 10B | 65 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM |
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