Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act II - "7. Grand Pas: Coda: Ali, Medora, Conrad"" available on October 14, 2011. With Le Corsaire: Act II - "7. Grand Pas: Coda: Ali, Medora, Conrad" being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 7 out of 70. Le Corsaire: Act II - "7. Grand Pas: Coda: Ali, Medora, Conrad" is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Le Corsaire: Act II - "7. Grand Pas: Coda: Ali, Medora, Conrad" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 180 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16a, Pas de deux de Fanny Elssler. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 1 | 7B | 107 BPM | ||
La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
La source, ou Naila: Suite No. 3: Suite No. 3: Introduction et Mazurka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 1 | 12B | 176 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 13 in B-Flat Major | Niccolò Paganini, Itzhak Perlman | B♭ Major | 1 | 6B | 67 BPM | ||
Life in Balance | Ken Hsieh, Evergreen Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] | Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 1 | 4B | 131 BPM | ||
Don Quixote: Act I: Coda: Basilio and Quiteria make their escape | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 2 | 10B | 167 BPM | ||
Les Sylphides: 4. Mazurka | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM |
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