On December 5, 2001, the song "Don Giovanni, K. 527: Act I Scene 7: Coro: Giovinette che fate all'amore (Zerlina, Masetto, Chorus)" was released by Wolfgang Amadeus Mozart, Bo Skovhus, Janusz Monarcha, Adrianne Pieczonka, Torsten Kerl, Regina Schorg, Renato Girolami, Boaz Daniel, Ildiko Raimondi, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz. With Don Giovanni, K. 527: Act I Scene 7: Coro: Giovinette che fate all'amore (Zerlina, Masetto, Chorus) being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart's "Mozart: Don Giovanni" album is number 12 out of 70. Based on our statistics, Don Giovanni, K. 527: Act I Scene 7: Coro: Giovinette che fate all'amore (Zerlina, Masetto, Chorus)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Don Giovanni, K. 527: Act I Scene 7: Coro: Giovinette che fate all'amore (Zerlina, Masetto, Chorus) by Wolfgang Amadeus Mozart, Bo Skovhus, Janusz Monarcha, Adrianne Pieczonka, Torsten Kerl, Regina Schorg, Renato Girolami, Boaz Daniel, Ildiko Raimondi, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Alles fühlt der Liebe Freuden" (Monostatos) | Wolfgang Amadeus Mozart, Heinz Zednik/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | G Major | 2 | 9B | 144 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 10: Duettino - Sull'aria | Donato Di Stefano, Maria Pia Ionata, Patrizia Pace, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 0 | 6B | 82 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 8: Aria - Non Piu Andrai | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 2 | 9B | 127 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 132 BPM | ||
La Clemenza di Tito: Atto secondo, scena IV. No.14 Terzetto Sesto, Vitellia, Publio "Se al volto mai ti senti" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, René Jacobs, Bernarda Fink, Sergio Foresti, Freiburger Barockorchester | B♭ Major | 1 | 6B | 84 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Sir Roger Norrington, Andreas Schmidt, Nancy Argenta, London Classical Players | D♭ Major | 1 | 3B | 178 BPM | ||
An die Musik, Op. 88, No. 4, D. 547 | Franz Schubert, Markus Eiche, Jens Fuhr | A♭ Major | 0 | 4B | 86 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 2: Cavatina - Se Vuol Ballare, Signor Contino | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Jozsef Mukk, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | F Major | 1 | 7B | 134 BPM |
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