La Clemenza di Tito: Atto secondo, scena IV. No.14 Terzetto Sesto, Vitellia, Publio "Se al volto mai ti senti"
Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, René Jacobs, Bernarda Fink, Sergio Foresti, Freiburger Barockorchester
Mozart: La clemenza di Tito
4:40 August 15, 2007
BPM
84
Key
B♭ Major
Camelot
6B

Embed

Share Link

La Clemenza di Tito: Atto secondo, scena IV. No.14 Terzetto Sesto, Vitellia, Publio "Se al volto mai ti senti" - Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, René Jacobs, Bernarda Fink, Sergio Foresti, Freiburger Barockorchester Information

Acousticness
99%
Danceability
31%
Energy
12%
Instrumentalness
0%
Liveness
28%
Loudness
68%
Speechiness
7%
Valence
13%
Popularity
Loudness
-19.179 dB

Summary

"La Clemenza di Tito: Atto secondo, scena IV. No.14 Terzetto Sesto, Vitellia, Publio "Se al volto mai ti senti"" by Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, René Jacobs, Bernarda Fink, Sergio Foresti, Freiburger Barockorchester was released on August 15, 2007. With this song being about 5 minutes long, at 4:40, "La Clemenza di Tito: Atto secondo, scena IV. No.14 Terzetto Sesto, Vitellia, Publio "Se al volto mai ti senti"" by Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, René Jacobs, Bernarda Fink, Sergio Foresti, Freiburger Barockorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: La clemenza di Tito" album is number 4 out of 46. La Clemenza di Tito: Atto secondo, scena IV. No.14 Terzetto Sesto, Vitellia, Publio "Se al volto mai ti senti" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Clemenza di Tito: Atto secondo, scena IV. No.14 Terzetto Sesto, Vitellia, Publio "Se al volto mai ti senti" BPM

We consider the tempo marking of La Clemenza di Tito: Atto secondo, scena IV. No.14 Terzetto Sesto, Vitellia, Publio "Se al volto mai ti senti" by Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, René Jacobs, Bernarda Fink, Sergio Foresti, Freiburger Barockorchester to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

La Clemenza di Tito: Atto secondo, scena IV. No.14 Terzetto Sesto, Vitellia, Publio "Se al volto mai ti senti" Key

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Prélude à l'après-midi d'un faune, L.86 by Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles DutoitPrélude à l'après-midi d'un faune, L.86Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles DutoitA♭ Minor01A90 BPM
Der Stein der Weisen, Act I: Dialogue (2) by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Chris Pedro Trakas, Kevin Deas, Jane Giering-De HaanDer Stein der Weisen, Act I: Dialogue (2)Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Chris Pedro Trakas, Kevin Deas, Jane Giering-De HaanE♭ Major25B77 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato by Sergei Rachmaninoff, Arthur Rubinstein, Fritz ReinerPiano Concerto No. 2 in C Minor, Op. 18: I. ModeratoSergei Rachmaninoff, Arthur Rubinstein, Fritz ReinerC Minor15A71 BPM
Consolation No. 3 in D-Flat Major, S. 172/3 by Franz Liszt, Vladimir HorowitzConsolation No. 3 in D-Flat Major, S. 172/3Franz Liszt, Vladimir HorowitzD♭ Major03B70 BPM
Symphony No. 5 in C minor Op. 67: I. Allegro con brio by Sir Roger Norrington, London Classical PlayersSymphony No. 5 in C minor Op. 67: I. Allegro con brioSir Roger Norrington, London Classical PlayersC Minor25A107 BPM
Lyric Pieces, Book 1, Op. 12: Arietta by Edvard Grieg, Einar Steen-NøklebergLyric Pieces, Book 1, Op. 12: AriettaEdvard Grieg, Einar Steen-NøklebergE♭ Major05B111 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major by Antonín Dvořák, Stefan Veselka2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G MajorAntonín Dvořák, Stefan VeselkaG Major09B66 BPM
Swan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato) by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles DutoitSwan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato)Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles DutoitB♭ Minor03A81 BPM
Gavotte (Paride ed Elena) by Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioGavotte (Paride ed Elena)Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioA Major011B98 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] by Franz Liszt, Joseph Banowetz6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]Franz Liszt, Joseph BanowetzG Minor06A96 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7368416786193848

End: 0.74281907081604