"Der Opernball, 'Opera Ball': Im chambre séparée" by Elisabeth Schwarzkopf was released on March 3, 2003. The duration of Der Opernball, 'Opera Ball': Im chambre séparée is about 3 minutes long, at 3:08. Based on our data, "Der Opernball, 'Opera Ball': Im chambre séparée" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 13 in Elisabeth Schwarzkopf - Diva by Elisabeth Schwarzkopf. Der Opernball, 'Opera Ball': Im chambre séparée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Opernball, 'Opera Ball': Im chambre séparée by Elisabeth Schwarzkopf is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM | ||
Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D♭ Major | 0 | 3B | 81 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
Bach: Cantata "Weichet nur, betrbte Schatten", BWV 202: No. 9, Gavotte "Sehet in Zufriedenheit tausend helle Wohlfahrstage" (Soprano) | Johann Sebastian Bach, Elisabeth Schwarzkopf, Otto Klemperer, Royal Concertgebouw Orchestra | C Major | 2 | 8B | 94 BPM | ||
Mozart: Der Zauberer, K. 472 | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Gerald Moore | G Major | 1 | 9B | 93 BPM |
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