"Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit" by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin was released on 1997. The duration of Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit is about 3 minutes long, at 3:19. Based on our data, "Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "R. Strauss: Four Last Songs". In this album, this song's track order is #6. Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 0 | 8B | 75 BPM | ||
"Oh, quand je dors" S 282 | Franz Liszt, Barbara Bonney, Antonio Pappano | E Major | 1 | 12B | 65 BPM | ||
Un mari à la porte: Valse Tyrolienne | Jacques Offenbach, Sumi Jo, English Chamber Orchestra, Richard Bonynge | C Minor | 0 | 5A | 131 BPM | ||
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | ||
Werther / Act 3: Massenet: Werther: Va ! Laisse couler mes larmes | Jules Massenet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | A Major | 4 | 11B | 142 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | F♯ Minor | 0 | 11A | 83 BPM | ||
La Mer, L. 109 (Remastered): III. Dialogue du vent et de la mer. Animé et tumultueux | Claude Debussy, George Szell, Cleveland Orchestra | E Minor | 1 | 9A | 99 BPM | ||
Bellini: Norma: Act 2: "Mira, o Norma" (Adalgisa, Norma) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | E♭ Major | 0 | 5B | 79 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Manon Lescaut / Act 3: Intermezzo | Giacomo Puccini, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | E Major | 1 | 12B | 87 BPM |
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