"Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz" by Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner was released on February 17, 2023. With this song being about 5 minutes long, at 5:27, "Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz" by Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 23 in Anne Sofie von Otter: Mahler - Song Cycles by Gustav Mahler, Anne Sofie von Otter. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz by Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": I. (b) Poco adagio | Camille Saint-Saëns, Antonio Pappano, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 91 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM |
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