Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's 'La Cenerentola / Act 2: "Non più mesta"' came out on January 1, 1993. The duration of La Cenerentola / Act 2: "Non più mesta" is about 3 minutes long, at 3:09. Based on our data, "La Cenerentola / Act 2: "Non più mesta"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 2: "Non più mesta"'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Cenerentola / Act 2: "Non più mesta" by Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Wagner: Der fliegende Holländer, WWV 63, Act 2: "Johohoe! Traft ihr das Schiff im Meere an" (Senta, Chorus) - Live | Richard Wagner, Concertgebouworkest, Anja Kampe, Andris Nelsons | G Minor | 1 | 6A | 76 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
Rusalka, Op.114 / Act 1: O Silver Moon | Nancy Gustafson, Orchestra del Teatro Comunale di Bologna, Leone Magiera | F♯ Major | 3 | 2B | 84 BPM | ||
Arianna in Creta: “Son qual stanco pellegrino” | George Frideric Handel, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | F♯ Minor | 2 | 11A | 118 BPM | ||
Merope: Sposa, non mi conosci | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 0 | 9A | 114 BPM | ||
Le Comte Ory / Act 1: "Vous, notre appui" | Gioachino Rossini, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM |
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