"Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe"" by Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir was released on January 1, 1989. With Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" by Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz! | Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma Kirkby | B♭ Minor | 0 | 3A | 135 BPM | ||
The Fairy Queen / Act 5: The Plaint | Henry Purcell, Jennifer Smith, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM | ||
I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Prima Parte, Coro: Es Ist Dir Gesagt, Mensch, Was Gut Ist | Holland Boys Choir; Netherlands Bach Collegium, Ofer Frenkel, Knut Schoch, Bas Ramselaar, Sytse Buwalda, Peter Frankenberg, Johann Sebastian Bach, Marion Moonen, Frederique Chauvet, Ruth Holton, Pieter Jan Leusink | E♭ Major | 3 | 5B | 86 BPM | ||
Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E♭ Minor | 1 | 2A | 86 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Messe in B Minor, BWV 232: No; 2, Christe eleison | Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre, Blandine Staskiewicz, Lucy Crowe | C Minor | 1 | 5A | 130 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Concentus Musicus Wien | B♭ Minor | 1 | 3A | 91 BPM | ||
Concerto No. 6 In D Major BWV1051 - Adagio Ma Non Troppo | Jordi Savall, Johann Sebastian Bach | D Major | 1 | 10B | 75 BPM |
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