"Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass)" by Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling was released on January 1, 2000. With Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 28 in Bach, J.S.: Magnificat in D Major, Bwv 243 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat in D Major, BWV 243: Omnes generationes (Chorus, Soprano, Alto, Tenor, Bass) by Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 5 In D Major BWV1050 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
I. Liebster Immanuel, Herzog der Frommen (Chorus) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln | A♭ Major | 2 | 4B | 92 BPM | ||
Concerto No. 1 In F Major BWV1046 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Psalm 42, Op. 42, MWV A15: Wie der Hirsch schreit (Chorus) | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A♭ Major | 1 | 4B | 74 BPM | ||
I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott | Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk | D♭ Major | 3 | 3B | 53 BPM | ||
Auf Meinen Lieben Gott, Cantate Bwv 89 | Nicol Matt, Heike Hümmer, Nordic Chamber Choir, Ute Petersilge, Johann Sebastian Bach, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Robert Sagasser, Jens Wollenschläger, Martina Rotbauer | F♯ Minor | 2 | 11A | 104 BPM | ||
Jesu, Meine Freude Bwv 358 | Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Johann Sebastian Bach, Robert Sagasser, Nordic Chamber Choir, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Ute Petersilge | D♭ Minor | 1 | 12A | 0 BPM | ||
Matthäus Passion, Prima Parte: 27b. Chorus: Sind Blitze, Sind Donner In Wolken Verschwunden | Stephen Cleobury, Michael Chance, David Thomas, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Martyn Hill, Choir of King's College, Cambridge, Michael George | B♭ Minor | 5 | 3A | 93 BPM | ||
O Lamm Gottes, unschuldig, BWV 401 | Johann Sebastian Bach, Sarah Perl, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | E Major | 2 | 12B | 63 BPM |
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