"Requiem pour soli, choeur & orchestre (1893 version): IV Pie Jesu" by David Hill, Bournemouth Sinfonietta, Nancy Argenta was released on 1998. The duration of Requiem pour soli, choeur & orchestre (1893 version): IV Pie Jesu is about 3 minutes long, at 3:29. Based on our data, "Requiem pour soli, choeur & orchestre (1893 version): IV Pie Jesu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 13 in Fauré: Requiem etc. by David Hill, Winchester Cathedral Choir. Requiem pour soli, choeur & orchestre (1893 version): IV Pie Jesu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem pour soli, choeur & orchestre (1893 version): IV Pie Jesu by David Hill, Bournemouth Sinfonietta, Nancy Argenta is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anthem For the Foundling Hospital, HWV 268: 4. The Charitable Shall Be Had | George Frideric Handel, Charles Brett, John Elwes, Winchester Cathedral Choir, Brandenburg Consort, David Hill | F♯ Minor | 1 | 11A | 104 BPM | ||
Missa brevis Sancti Joannis de Deo, Hob. XXII:7 "Kleine Orgelmesse": I. Kyrie | Joseph Haydn, David Hill, Winchester Cathedral Choir, Brandenburg Consort | A♭ Minor | 1 | 1A | 132 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Songs of Magical Creatures: Shadows | Will Todd, The Bach Choir, David Hill | E♭ Major | 1 | 5B | 149 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Remember not, Lord, our offences (Z.50) | Henry Purcell, Winchester Cathedral Choir, David Hill | A Minor | 1 | 8A | 172 BPM | ||
Mozart: Requiem in D Minor, K. 626: VII. Confutatis | Nikolaus Harnoncourt, Vienna State Opera Chorus | C Major | 0 | 8B | 116 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM |
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