"Mozart: Requiem in D Minor, K. 626: VII. Confutatis" by Nikolaus Harnoncourt, Vienna State Opera Chorus was released on 1982. The duration of Mozart: Requiem in D Minor, K. 626: VII. Confutatis is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Mozart: Requiem in D Minor, K. 626: VII. Confutatis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolaus Harnoncourt's "Mozart : Requiem (Elatus)" album is number 7 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Mozart: Requiem in D Minor, K. 626: VII. Confutatis is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: VII. Confutatis by Nikolaus Harnoncourt, Vienna State Opera Chorus to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
Verdi: Messa da Requiem: IV. Mors stupebit | Giuseppe Verdi, Riccardo Muti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
協奏曲集「四季」より「秋」/第3楽章(『007/美しき獲物たち』より) | ライナー・クスマウル, シュトゥットガルト室内管弦楽団, マルティン・ジーグハルト | D♭ Major | 0 | 3B | 68 BPM | ||
Symphony No. 1 in D major, Wq. 183/1: Symphony No. 1 in D major, Wq. 183/1: I. Allegro di molto | Carl Philipp Emanuel Bach, The English Concert, Andrew Manze | D♭ Major | 2 | 3B | 149 BPM | ||
Verdi: Macbeth, Act 4: Patria oppressa! (Coro) | Giuseppe Verdi, Ambrosian Opera Chorus/John McCarthy/New Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, New Philharmonia Orchestra | A Minor | 0 | 8A | 140 BPM | ||
Madama Butterfly (Remastered): Act II - Un bel dì | Giacomo Puccini, Erich Leinsdorf | F Major | 3 | 7B | 110 BPM | ||
Intermezzo from Cavalleria Rusticana | Radio Orchestra Berlin | F♯ Major | 1 | 2B | 84 BPM | ||
Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM | ||
Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
Symphony No. 2 in E minor, Op. 27: 3. Adagio - Extract | Sergei Rachmaninoff, Royal Concertgebouw Orchestra, Vladimir Ashkenazy | A Major | 1 | 11B | 130 BPM |
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