"Officium defunctorum: Parce mihi Domine: Parce mihi Domine" by Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner was released on January 1, 2000. With this song being about 5 minutes long, at 5:21, "Officium defunctorum: Parce mihi Domine: Parce mihi Domine" by Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 21 in Choral Recital: Monteverdi Choir - Morales / Victoria, T.L. / Clements Non Papa / Mouton (Pilgrimage To Santiago) by John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Officium defunctorum: Parce mihi Domine: Parce mihi Domine is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Officium defunctorum: Parce mihi Domine: Parce mihi Domine by Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2c. Gloria: Gratias | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 59 BPM | ||
Love Is Come Again | The Monteverdi Choir, John Eliot Gardiner | F Major | 2 | 7B | 78 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM | ||
Gloria: Gloria in excelsis Deo | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 4 | 1A | 85 BPM | ||
Missa Ave maris stella: V. Benedictus | Cristobal de Morales, Ensemble Cristóbal de Morales, Pere Lluís Biosca, Juan de la Rubia | E Major | 1 | 12B | 87 BPM | ||
Preces: Penitentes orate - Plegaria mozárabe s. XI | Jordi Savall | G Major | 2 | 9B | 76 BPM | ||
Mass in B Minor, BWV 232: Crucifixus (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Minor | 1 | 2A | 107 BPM |
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