"Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2c. Gloria: Gratias" by Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on November 11, 1987. With Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2c. Gloria: Gratias being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, Anthony Robson, Lisa Beznosiuk, Alastair Mitchell, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Mozart: Great Mass in C minor" album is number 4 out of 13. On top of that, Netherlands appears to be the country where this track was created. Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2c. Gloria: Gratias is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2c. Gloria: Gratias by Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 2: Ei tornerà | Vincenzo Bellini, Dame Joan Sutherland, Diana Montague, Orchestra of the Welsh National Opera, Richard Bonynge | C Major | 0 | 8B | 111 BPM | ||
Missa brevis in C Major, K. 259: VI. Agnus Dei | Wolfgang Amadeus Mozart, Barbara Werner, Jens Wollenschläger, Chamber Choir Of Europe, Kurpfälzisches Kammerochester Mannheim, Nicol Matt | E♭ Major | 0 | 5B | 92 BPM | ||
Ch'io mi scordi di te... Non temer, amato bene, K. 505 | Wolfgang Amadeus Mozart, Cecilia Bartoli, András Schiff, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
Stabat Mater (Hob. XXbis) 1767: X. Virgo virginium praeclara | Joseph Haydn, Patricia Rozario, Catherine Robbin, Anthony Rolfe Johnson, Cornelius Hauptmann, The English Concert, Trevor Pinnock, The English Concert Choir | A Major | 1 | 11B | 123 BPM | ||
Le Comte Ory / Act 1: "Une dame de haut parage" | Gioachino Rossini, Diana Montague, John Aler, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner | C Major | 2 | 8B | 116 BPM | ||
Ruggiero's Aria (Verdi prati) from Alcina | George Frideric Handel, Walter Weller, London Philharmonic Orchestra, Diana Montague | E Major | 0 | 12B | 133 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": III. Adagio | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Major | 0 | 11B | 69 BPM | ||
Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM | ||
L'incoronazione di Poppea, SV 308 / Act 3: Scendiam, scendiam (Amore, Coro d'Amori, Venere, Poppea, Nerone) | Claudio Monteverdi, Marinella Pennicchi, Catherine Bott, Constanze Backes, Bernarda Fink, Anne Sofie von Otter, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | F Major | 1 | 7B | 171 BPM | ||
Requiem In D Minor, K. 626: Offertory: II. Hostias Et Preces | Slovak Philharmonic, Jozef Kundlák, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Slovak Philharmonic Chorus, Jaroslava Horska, Stefan Klimo, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 98 BPM |
Section: 1.1781749725341797
End: 1.1825511455535889