"Requiem In D Minor, K. 626: Offertory: II. Hostias Et Preces" by Slovak Philharmonic, Jozef Kundlák, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Slovak Philharmonic Chorus, Jaroslava Horska, Stefan Klimo, Wolfgang Amadeus Mozart was released on April 15, 1989. With this song being about 5 minutes long, at 4:39, "Requiem In D Minor, K. 626: Offertory: II. Hostias Et Preces" by Slovak Philharmonic, Jozef Kundlák, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Slovak Philharmonic Chorus, Jaroslava Horska, Stefan Klimo, Wolfgang Amadeus Mozart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 10 out of 14. In terms of popularity, Requiem In D Minor, K. 626: Offertory: II. Hostias Et Preces is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K. 626: Offertory: II. Hostias Et Preces by Slovak Philharmonic, Jozef Kundlák, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Slovak Philharmonic Chorus, Jaroslava Horska, Stefan Klimo, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: Introitus - Kyrie | Antonio Salieri, Arianna Zukerman, Simona Ivas, Adam Zdunikowski, Luis Rodrigues, Alice Caplow-Sparks, António Esteireiro, Coro Gulbenkian, Orquestra Gulbenkian, Lawrence Foster | F Minor | 0 | 4A | 82 BPM | ||
Requiem, K. 626: Hostias | Wolfgang Amadeus Mozart, Stephen Cleobury, Choir of King's College, Cambridge, Academy of Ancient Music | E♭ Major | 1 | 5B | 96 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
The Sleeping Beauty, Op. 66: Panorama | Pyotr Ilyich Tchaikovsky, Bavarian Radio Symphony Orchestra, Hans Vonk | G Major | 1 | 9B | 80 BPM | ||
Souvenir de Florence, Op. 70 | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Borodin Quartet, Genrikh Talalyan | D Minor | 3 | 7A | 136 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 135 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Symphony No. 3 in C Major, Op 78 'Organ': III. Maestoso, Allegro | Camille Saint-Saëns, Libor Pešek, Slovak Philharmonic, Ivan Sokol | F Minor | 1 | 4A | 113 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM |
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