"Vingt Regards sur l'Enfant-Jésus: 16. Regard des prophètes, des bergers et des Mages" by Olivier Messiaen, Michael Kieran Harvey was released on 1999. The duration of Vingt Regards sur l'Enfant-Jésus: 16. Regard des prophètes, des bergers et des Mages is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Vingt Regards sur l'Enfant-Jésus: 16. Regard des prophètes, des bergers et des Mages's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vingt Regards Sur L'enfant-Jésus by Olivier Messiaen, Michael Kieran Harvey. The song's track number on the album is #16 out of 20 tracks. Based on our data, Australia was the country where this track was produced or recorded. In terms of popularity, Vingt Regards sur l'Enfant-Jésus: 16. Regard des prophètes, des bergers et des Mages is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Vingt Regards sur l'Enfant-Jésus: 16. Regard des prophètes, des bergers et des Mages by Olivier Messiaen, Michael Kieran Harvey has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vingt Regards sur l'Enfant-Jésus: 16. Regard des prophètes, des bergers et des Mages being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | A♭ Minor | 2 | 1A | 144 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | F♯ Major | 0 | 2B | 46 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Saariaho: Asteroid 4179 - Toutatis | Kaija Saariaho, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 2 | 4B | 105 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Violin Concerto: I. Praeludium | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 1 | 8B | 138 BPM | ||
Gaspard de la nuit, M.55: 2. Le gibet | Maurice Ravel, Martha Argerich | E♭ Major | 0 | 5B | 64 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Toccata, Op. 11 | Sergei Prokofiev, Martha Argerich | G Minor | 1 | 6A | 96 BPM | ||
Turangalîla Symphonie: 8. Développement de l'amour | Olivier Messiaen, Jean-Yves Thibaudet, Takashi Harada, Royal Concertgebouw Orchestra, Riccardo Chailly | D♭ Major | 6 | 3B | 87 BPM |
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