"Saul, HWV53: 17. Chorus: Envy! eldest born of hell!; Recitative: Ah, dearest friend; Air: But sooner Jordan's stream; Recitative: Oh strange vicissitude!; Air: Such haughty beauties; Recitative: My father comes" by Handel, J Vyvyan, H Handt, Vienna Symph Orch, M Wöldike, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir, H Watts was released on February 19, 2013. The duration of Saul, HWV53: 17. Chorus: Envy! eldest born of hell!; Recitative: Ah, dearest friend; Air: But sooner Jordan's stream; Recitative: Oh strange vicissitude!; Air: Such haughty beauties; Recitative: My father comes is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Saul, HWV53: 17. Chorus: Envy! eldest born of hell!; Recitative: Ah, dearest friend; Air: But sooner Jordan's stream; Recitative: Oh strange vicissitude!; Air: Such haughty beauties; Recitative: My father comes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 125 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Saul, HWV53: 17. Chorus: Envy! eldest born of hell!; Recitative: Ah, dearest friend; Air: But sooner Jordan's stream; Recitative: Oh strange vicissitude!; Air: Such haughty beauties; Recitative: My father comes is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saul, HWV53: 17. Chorus: Envy! eldest born of hell!; Recitative: Ah, dearest friend; Air: But sooner Jordan's stream; Recitative: Oh strange vicissitude!; Air: Such haughty beauties; Recitative: My father comes by Handel, J Vyvyan, H Handt, Vienna Symph Orch, M Wöldike, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir, H Watts is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 8 | 3B | 121 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Major | 2 | 3B | 77 BPM | ||
Water Music Suite #2 in D, Hwv 349 Alla Hornpipe | Adagio Quartet | D Major | 2 | 10B | 117 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 115 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Recitative: Let old Timotheus yield the prize | Handel, Honor Sheppard, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Max Worthley, Alfred Deller | B♭ Major | 4 | 6B | 109 BPM |
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