Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Recitative: Let old Timotheus yield the prize
Handel, Honor Sheppard, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Max Worthley, Alfred Deller
Big Handel Box
0:34 February 19, 2013
BPM
109
Key
B♭ Major
Camelot
6B

Embed

Share Link

Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Recitative: Let old Timotheus yield the prize - Handel, Honor Sheppard, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Max Worthley, Alfred Deller Information

Acousticness
81%
Danceability
52%
Energy
40%
Instrumentalness
92%
Liveness
11%
Loudness
77%
Speechiness
3%
Valence
72%
Popularity
Loudness
-13.894 dB

Summary

Handel, Honor Sheppard, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Max Worthley, Alfred Deller made "Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Recitative: Let old Timotheus yield the prize" available on February 19, 2013. With Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Recitative: Let old Timotheus yield the prize being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 45 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Recitative: Let old Timotheus yield the prize is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Recitative: Let old Timotheus yield the prize BPM

The tempo marking of Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Recitative: Let old Timotheus yield the prize by Handel, Honor Sheppard, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Max Worthley, Alfred Deller is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.

Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Recitative: Let old Timotheus yield the prize Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Chandos Anthem No. 2 in D Minor, 'In the Lord Put I My Trust', HWV247: i. Sinfonia by Handel, Collegium Musicum of Rutgers University, Jerrold Held, Helen Boatwright, Charles Bressler, Donald Miller, Alfred MannChandos Anthem No. 2 in D Minor, 'In the Lord Put I My Trust', HWV247: i. SinfoniaHandel, Collegium Musicum of Rutgers University, Jerrold Held, Helen Boatwright, Charles Bressler, Donald Miller, Alfred MannD Minor27A122 BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo by Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard EdlingerViola Concerto in G Major, TWV 51:G9: I. LargoGeorg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard EdlingerG Major19B144 BPM
Sinfonia in E major, RV 132: II. Andante by Karoly BotvaySinfonia in E major, RV 132: II. AndanteKaroly BotvayA Major011B79 BPM
Solfeggietto in C minor, Wq. 117/2 by Carl Philipp Emanuel Bach, Dinara KlintonSolfeggietto in C minor, Wq. 117/2Carl Philipp Emanuel Bach, Dinara KlintonF Minor24A122 BPM
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante by Christoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterOrfeo ed Euridice: Act II, Scene 2, Ballo. AndanteChristoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterC Major08B74 BPM
Concerto for Flute, Harp, and Orchestra in C, K.299: 2. Andantino by Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe SinopoliConcerto for Flute, Harp, and Orchestra in C, K.299: 2. AndantinoWolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe SinopoliF Major17B94 BPM
Suite No. 2 in B minor, BWV 1067: 7. Badinerie by Johann Sebastian Bach, Berliner Philharmoniker, Herbert von KarajanSuite No. 2 in B minor, BWV 1067: 7. BadinerieJohann Sebastian Bach, Berliner Philharmoniker, Herbert von KarajanC Minor25A103 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
Serenade, Op. 15 No. 1 by Moritz Moszkowski, Radio Symphony OrchestraSerenade, Op. 15 No. 1Moritz Moszkowski, Radio Symphony OrchestraA♭ Minor41A155 BPM
Oboe Concerto in C: 3. Siciliana by Domenico Cimarosa, Heinz Holliger, I MusiciOboe Concerto in C: 3. SicilianaDomenico Cimarosa, Heinz Holliger, I MusiciA Minor18A84 BPM
ISRC
USKO11300354
Label
L-M Records/RCA Records

Section: 0.7055246829986572

End: 0.7103626728057861