"Concerto-Cantata, Op. 65: I. Recitativo: Lento (quasi molto lento)" by Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit was released on May 1, 2012. With this song being about 5 minutes long, at 5:25, "Concerto-Cantata, Op. 65: I. Recitativo: Lento (quasi molto lento)" by Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henryk Górecki, Various Artists, Antoni Wit's "Górecki: Little Requiem for a Certain Polka - Concerto-Cantata - Harpsichord Concerto - 3 Dances" album is number 5 out of 13. Concerto-Cantata, Op. 65: I. Recitativo: Lento (quasi molto lento) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto-Cantata, Op. 65: I. Recitativo: Lento (quasi molto lento) by Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
The Swan of Tuonela, Op. 22, No. 2 | Jean Sibelius, Gerhard Stempnik, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 86 BPM | ||
Symphony No. 3, Op. 36: III. Lento - Cantablile Semplice | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | D Major | 1 | 10B | 93 BPM | ||
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
Magister Perotinus - Beata viscera | Vox Clamantis, Weekend Guitar Trio | B♭ Major | 0 | 6B | 91 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
Weaving | Roger Eno | B Minor | 1 | 10A | 129 BPM | ||
Requiem in D Minor, Op.48: 7. In paradisum | Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | D Major | 0 | 10B | 175 BPM |
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