"Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura)" by Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin was released on January 1, 2013. The duration of Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Spheres - Einaudi, Glass, Nyman, Pärt, Richter". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) by Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 0 | 8A | 104 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Pavane | Gabriel Fauré, Die 12 Cellisten der Berliner Philharmoniker | F♯ Minor | 1 | 11A | 76 BPM | ||
Violin Concerto in D Major, RV 234 "L'inquietudine": II. Largo | Antonio Vivaldi, Daniel Hope, Chamber Orchestra of Europe | A Major | 2 | 11B | 87 BPM | ||
Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Monk: Railroad (Travel Song) | Meredith Monk, Conrad Tao | E Minor | 1 | 9A | 111 BPM | ||
Suite for Solo Violin No. 5 in D Minor: I. Allemande | Johann Paul Von Westhoff, Plamena Nikitassova | E♭ Minor | 0 | 2A | 128 BPM | ||
Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
La vie en rose | Marcel Louiguy, Daniel Hope, Christoph Israel | D Major | 2 | 10B | 96 BPM |
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