"Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio" by Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr was released on March 10, 2009. The duration of Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio is about 3 minutes long, at 3:09. Based on our data, "Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 18 in Bach: Brandenburg Concertos by Johann Sebastian Bach, Various Artists, Gustav Leonhardt, Nikolaus Harnoncourt, Concentus Musicus Wien, Leonhardt-Consort, Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio by Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: II. Largo | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in Bb major, Op. 6, No. 7: 1. Largo | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | E Major | 0 | 12B | 80 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: 1. Allegro | Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 3 | 10B | 90 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM |
Section: 0.543168306350708
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