Johann Sebastian Bach, Rafał Blechacz made "Partita No.1 In B Flat Major, BWV 825: Prelude" available on February 10, 2017. With Partita No.1 In B Flat Major, BWV 825: Prelude being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Rafał Blechacz's "Johann Sebastian Bach" album is number 4 out of 23. In terms of popularity, Partita No.1 In B Flat Major, BWV 825: Prelude is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Partita No.1 In B Flat Major, BWV 825: Prelude by Johann Sebastian Bach, Rafał Blechacz to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
4 Ballades, Op. 10: No. 4 In B | Johannes Brahms, Arturo Benedetti Michelangeli | B Major | 0 | 1B | 74 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM |
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