"Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante" by Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment was released on 1989. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 18 in Brandenburg Concertos by Johann Sebastian Bach, Orchestra of the Age of Enlightenment/Monica Huggett/Elizabeth Wallfisch/Catherine Mackintosh/Alison Bury, Orchestra of the Age of Enlightenment. In terms of popularity, Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante by Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 6 in G Minor, Op. 13, RV 58, "Il pastor fido": III. Largo | Antonio Vivaldi, Béla Drahos, Pál Kelemen, Zsuzsa Pertis | G Minor | 1 | 6A | 88 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Trumpet Concerto In E Flat, Hob. VIIe No.1: 3. Allegro | Franz Joseph Haydn, Mark Bennett, The English Concert, Trevor Pinnock | D Major | 3 | 10B | 142 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Concerto for Violin and Oboe in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Dunedin Consort, John Butt, Cecilia Bernardini, Alfredo Bernardini | D Major | 1 | 10B | 93 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |
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