Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner made "Brandenburg Concerto No. 5 in D Major, BWV 1050: 1. Allegro" available on January 1, 1981. Brandenburg Concerto No. 5 in D Major, BWV 1050: 1. Allegro appears to be safe for all ages as it is not explicit. The song is number 3 out of 8 in Bach, J.S.: Brandenburg Concertos Nos.4, 5 & 6 by Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Brandenburg Concerto No. 5 in D Major, BWV 1050: 1. Allegro is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Brandenburg Concerto No. 5 in D Major, BWV 1050: 1. Allegro by Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in C Major, G. 17: III. Rondo allegro | Luigi Boccherini, Christian Benda, Sebastian Benda | G Major | 3 | 9B | 144 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.13 in F sharp major BWV858 | Daniel Barenboim | E♭ Minor | 1 | 2A | 139 BPM | ||
Violin Concerto in E-Flat Major, RV 257: I. Andante molto e quasi allegro | Antonio Vivaldi, Giuliano Carmignola, Andrea Marcon, Venice Baroque Orchestra | E Minor | 0 | 9A | 68 BPM | ||
Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Leonard Bernstein, Harold Gomberg, New York Philharmonic, Isaac Stern | G Minor | 2 | 6A | 67 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Vivaldi: Chamber Concerto in A Minor, RV 108: III. Allegro | Antonio Vivaldi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | A Minor | 3 | 8A | 69 BPM | ||
Concerto Grosso for 2 Violins, Strings and Continuo in A Minor, Op. 3/8, RV. 522: I. Allegro | Antonio Vivaldi, Elizabeth Wilcock, Michaela Comberti, The English Concert, Trevor Pinnock | A♭ Minor | 2 | 1A | 109 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: II. Adagio | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 78 BPM | ||
Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM |
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