"Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act V: The Plaint. "O Let Me Ever, Ever Weep"" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza was released on 1900. Since Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act V: The Plaint. "O Let Me Ever, Ever Weep" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 15 out of 17. Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act V: The Plaint. "O Let Me Ever, Ever Weep" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act V: The Plaint. "O Let Me Ever, Ever Weep" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Carpinese (Tarantella) | Traditional, Athanasius Kircher, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley | E Minor | 1 | 9A | 95 BPM | ||
L’Eraclito amoroso | Barbara Strozzi, Constantinople, Suzie LeBlanc | E Minor | 1 | 9A | 98 BPM | ||
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
The Indian Queen, Z. 630: First Music - First Aire | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | E Major | 1 | 12B | 121 BPM | ||
Bach, JS: "Komm, süsser Tod, komm, sel'ge Ruh", BWV 478 | Johann Sebastian Bach, Christina Pluhar, L'Arpeggiata | C Major | 1 | 8B | 74 BPM | ||
Marazzoli / Arr. Pluhar: "Dal cielo cader vid'io due stelle" | Marco Marazzoli, Christina Pluhar, Jakub Józef Orliński | D Minor | 1 | 7A | 118 BPM | ||
Pluhar: Orfeo Chamán, Act 5: La cabeza de Orfeo (Orfeo, Aristeo) | Christina Pluhar, Nahuel Pennisi, Emiliano Gonzalez Toro, L'Arpeggiata | A Minor | 1 | 8A | 102 BPM | ||
sopra Las Vacas | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | C Major | 1 | 8B | 108 BPM | ||
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Pluhar: Orfeo Chamán, Act 4: "Esta barca" (Nahual, Orfeo) | Christina Pluhar, Vincenzo Capezzuto, Nahuel Pennisi, L'Arpeggiata | G Major | 1 | 9B | 131 BPM |
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