"L’Eraclito amoroso" by Barbara Strozzi, Constantinople, Suzie LeBlanc was released on October 28, 2014. L’Eraclito amoroso is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in Constantinople's "Metamorfosi - Baroque Impressions" album is number 5 out of 15. In terms of popularity, L’Eraclito amoroso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L’Eraclito amoroso by Barbara Strozzi, Constantinople, Suzie LeBlanc to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 1 | 12A | 68 BPM | ||
Oreste, HWV A11 - Act 1: "Agitato da fiere tempeste" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | D♭ Major | 5 | 3B | 122 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM | ||
Juditha Triumphans, RV 644, Pt. 1: Veni, me sequere fida | Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Magdalena Kozená | A Minor | 2 | 8A | 127 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Se la mia morte brami | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 115 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "With dropping wings ye Cupids come" | Henry Purcell, Dominique Visse, Susan Bickley, Orchestra of the Age of Enlightenment, Lynne Dawson, Robin Blaze, Stephen Wallace, Rosemary Joshua, John Bowen, Gerald Finley, Maria Cristina Kiehr, René Jacobs | F♯ Minor | 0 | 11A | 172 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Improvisation II on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | B Major | 1 | 1B | 107 BPM | ||
Serse: Aria "Ombra mai fù" (Atto I, scena 1) | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | E Major | 1 | 12B | 107 BPM |
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