The Scholars Baroque Ensemble, John Dryden, Henry Purcell made "The Indian Queen, Z. 630: First Music - First Aire" available on January 1, 1998. With The Indian Queen, Z. 630: First Music - First Aire being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Purcell: The Indian Queen". In this album, this song's track order is #1. Based on our statistics, The Indian Queen, Z. 630: First Music - First Aire's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Indian Queen, Z. 630: First Music - First Aire by The Scholars Baroque Ensemble, John Dryden, Henry Purcell having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM | ||
L'Orfeo, Atto quinto: V. Moresca | Claudio Monteverdi, Jordi Savall, Le Concert Des Nations | G Major | 4 | 9B | 136 BPM | ||
Intermedes de Xerxes: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 98 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Monteverdi: Madrigals, Book 8: Ballo, SV 154b | Claudio Monteverdi, L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 127 BPM | ||
Schein: Banchetto musicale, Suite No. 6 in A Minor: III. Courente à 5 | Johann Hermann Schein, Hespèrion XX, Jordi Savall | C Major | 0 | 8B | 98 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Sonata da camera, Op. 2 No. 11: I. Preludio | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | E♭ Major | 1 | 5B | 86 BPM | ||
Theodosius, or The Force of Love, Z. 606: Canst Thou, Marina | Henry Purcell, Nathaniel Lee, Ben Davies, Mark Dobell, Hugo Hymas, Harry Christophers, The Sixteen | F♯ Minor | 1 | 11A | 100 BPM |
Section: 0.6823689937591553
End: 0.689469575881958