- BPM
- 86
- Key
- F Major
- Camelot
- 7B
Donizetti: Anna Bolena, Act 2 Scene 12: "Al dolce guidami castel natio" (Anna) - Gaetano Donizetti, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra Information
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 2%
- Instrumentalness
- 1%
- Liveness
- 7%
- Loudness
- 52%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 7%
- Loudness
- -28.838 dB
Summary
"Donizetti: Anna Bolena, Act 2 Scene 12: "Al dolce guidami castel natio" (Anna)" by Gaetano Donizetti, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra was released on June 4, 2001. With this song being about 5 minutes long, at 4:46, "Donizetti: Anna Bolena, Act 2 Scene 12: "Al dolce guidami castel natio" (Anna)" by Gaetano Donizetti, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 'Casta Diva', so we believe that "Donizetti: Anna Bolena, Act 2 Scene 12: "Al dolce guidami castel natio" (Anna)" is a single. Donizetti: Anna Bolena, Act 2 Scene 12: "Al dolce guidami castel natio" (Anna) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Donizetti: Anna Bolena, Act 2 Scene 12: "Al dolce guidami castel natio" (Anna) BPM
The tempo marking of Donizetti: Anna Bolena, Act 2 Scene 12: "Al dolce guidami castel natio" (Anna) by Gaetano Donizetti, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Donizetti: Anna Bolena, Act 2 Scene 12: "Al dolce guidami castel natio" (Anna) Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Maria Stuarda: Act I Scene 2: Si, vuol di Francia il Rege (Elisabetta) | Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati | B♭ Major | 0 | 6B | 90 BPM | |
 | Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | |
 | Adriana Lecouvreur / Act 1: "La dolcissima effigie" | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 2 | 4B | 79 BPM | |
 | Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | |
 | Sapho - opera in 3 Acts / Act 3: O ma lyre immortelle | Charles Gounod, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Yves Abel | B♭ Minor | 1 | 3A | 84 BPM | |
 | La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris | Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Major | 2 | 6B | 96 BPM | |
 | Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, José Cura, Olga Borodina, London Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | |
 | L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | |
 | La Sonnanbula - Prendi, l'anel ti dono | Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 82 BPM | |
 | Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7122185230255127
End: 0.7165489196777344