- BPM
- 156
- Key
- A Minor
- Camelot
- 8A
Messe "Cum jubilo": Kyrie - Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow Information
- Acousticness
- 96%
- Danceability
- 11%
- Energy
- 2%
- Instrumentalness
- 26%
- Liveness
- 10%
- Loudness
- 46%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 7%
- Loudness
- -32.38 dB
Summary
"Messe "Cum jubilo": Kyrie" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow was released on 1989. The duration of Messe "Cum jubilo": Kyrie is about 3 minutes long, at 3:22. Based on our data, "Messe "Cum jubilo": Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 18 in Fauré/Duruflé/Messiaen by The Choir Of Trinity College, Cambridge. Based on our statistics, Messe "Cum jubilo": Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Messe "Cum jubilo": Kyrie BPM
The tempo marking of Messe "Cum jubilo": Kyrie by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.
Messe "Cum jubilo": Kyrie Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | |
 | Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | |
 | Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | |
 | アヴェマリア(エルガー) 作品2-2 Ave Maria | Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor, Andrew Lumsden Organ | B♭ Major | 0 | 6B | 82 BPM | |
 | Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | |
 | Four Vocal Quartets with piano, Op. 92: II. Spätherbst | Johannes Brahms, RIAS Kammerchor, Alain Planès | D♭ Major | 1 | 3B | 106 BPM | |
 | Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | |
 | Requiem, Op. 9: In paradisum | Maurice Duruflé, Patricia Spence, Francois Le Roux, Mark Bleeke, David Jolley, Lawrence Dutton, Richard Locker, Kathleen Bride, Mark Kruczek, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | B Major | 0 | 1B | 71 BPM | |
 | Duruflé: Requiem, Op. 9: IX. In paradisum, "In Paradisum deducant" | Maurice Duruflé, Michel Plasson, Orchestre National Du Capitole De Toulouse | F♯ Major | 0 | 2B | 101 BPM | |
 | Bring me all your dreams - SATB | Christopher H. Harris, London Voices | F Minor | 2 | 4A | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7131936550140381
End: 0.720994234085083