Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann's 'Gotterdammerung (Twilight of the Gods): Prologue: Einleitung' came out on January 11, 2009. The duration of Gotterdammerung (Twilight of the Gods): Prologue: Einleitung is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Gotterdammerung (Twilight of the Gods): Prologue: Einleitung's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #1 out of 255 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Gotterdammerung (Twilight of the Gods): Prologue: Einleitung's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Gotterdammerung (Twilight of the Gods): Prologue: Einleitung by Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 157 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Gotterdammerung (Twilight of the Gods): Prologue: Einleitung being at 157 BPM, the half-time would be 78 BPM with a double-time of 314 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Chicago Symphony Orchestra, James Levine | C Major | 3 | 8B | 145 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Robert Cohen/London Philharmonic Orchestra/Norman Del Mar, Norman Del Mar, London Philharmonic Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | ||
Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John Jeter | A Major | 0 | 11B | 64 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM |
Section: 0.7471117973327637
End: 0.7518136501312256