M. Fradkin, Yuri Poteenko, Sergey Muravyov, Smolny Cathedral Chamber Choir, St. Petersburg State Academic Symphony Orchestra, Alexander Titov made "The Road to Berlin (arr. Y. Poteenko)" available on May 1, 2012. The duration of The Road to Berlin (arr. Y. Poteenko) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. The Road to Berlin (arr. Y. Poteenko)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wartime Songs by Yuri Poteenko, Various Artists, Alexander Titov. The song's track number on the album is #14 out of 14 tracks. The Road to Berlin (arr. Y. Poteenko) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since The Road to Berlin (arr. Y. Poteenko) by M. Fradkin, Yuri Poteenko, Sergey Muravyov, Smolny Cathedral Chamber Choir, St. Petersburg State Academic Symphony Orchestra, Alexander Titov has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With The Road to Berlin (arr. Y. Poteenko) being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Legend of the 12 Robbers | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 70 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Gounod: Faust, Act 2: "Ainsi que la brise légère" (Chorus, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, José van Dam, Martine Mahé, Richard Leech, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" | Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 173 BPM | ||
In the Hills of Manchuria | BigRock Balalaikas | G Minor | 4 | 6A | 175 BPM | ||
Одинокая гармонь | Sergei Lemeshev, Оркестр п/у Алексея Ковалёва | G Minor | 1 | 6A | 172 BPM |
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