Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber's 'Die Fledermaus / Act 2: "Dieser Anstand, so manierlich"' came out on January 1, 1976. With this song being about 5 minutes long, at 4:44, "Die Fledermaus / Act 2: "Dieser Anstand, so manierlich"" by Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #8. The popularity of Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" by Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 140 BPM | ||
Tristan und Isolde / Act 3: "Hei nun! Wie du kamst?" | Richard Wagner, Dietrich Fischer-Dieskau, René Kollo, Staatskapelle Dresden, Carlos Kleiber | F Minor | 2 | 4A | 170 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 4 | 10B | 74 BPM | ||
Tristan und Isolde / Act 3: "Noch ist kein Schiff zu sehn!" | Richard Wagner, Dietrich Fischer-Dieskau, René Kollo, Staatskapelle Dresden, Carlos Kleiber | D♭ Major | 2 | 3B | 64 BPM | ||
Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude! | Richard Wagner, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber | E Major | 1 | 12B | 78 BPM | ||
Ariadne auf Naxos / Prologue: "Mein Herr Haushofmeister!" | Richard Strauss, Rudolf Asmus, Dietrich Fischer-Dieskau, Rolf Wollrad, Wolfgang Millgramm, Julia Varady, Gewandhausorchester, Kurt Masur | D Minor | 1 | 7A | 90 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Les Contes d'Hoffmann (The Tales of Hoffman): Scintille, diamant! | Jacques Offenbach, Samuel Ramey, Munich Radio Orchestra, Julius Rudel | D Major | 2 | 10B | 147 BPM |
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