Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov's 'Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana"' came out on January 1, 1993. With Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana" being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tchaikovsky: Eugene Onegin". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana" by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pesn' yamshchika (The Coachman's Song) (arr. for baritone and orchestra) | Alexander Lvovich Gurilev, Evgeny Stetsyuk, Dmitri Hvorostovsky, Style of Five, Moscow Chamber Orchestra, Constantine Orbelian | C Minor | 1 | 5A | 138 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "E Susanna non vien...Dove sono i biei momenti...Io" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Giorgio Tadeo, Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 126 BPM | ||
Macbeth, Act IV: Chorus. Patria oppressa | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | C Minor | 1 | 5A | 61 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 3: "Lyubvi vsye vozrasti pokorni" | Nicolai Ghiaurov, London Symphony Orchestra, Sir Edward Downes | F♯ Major | 1 | 2B | 132 BPM | ||
Lucia di Lammermoor / Act 3: "D'immenso giubilo" | Gaetano Donizetti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Minor | 0 | 9A | 89 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov | B Major | 2 | 1B | 72 BPM | ||
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Cecilia Bartoli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
The Roads | A. Novikov, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 2 | 7A | 85 BPM | ||
Vittoria, mio core! (Arr. Reynolds) | Giacomo Carissimi, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Major | 1 | 2B | 109 BPM |
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