"Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude!" by Richard Wagner, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1982. Since Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Carlos Kleiber. The song's track number on the album is #7 out of 29 tracks. Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude! by Richard Wagner, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude! being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114 / Act 1: Ta voda studi, studi! Jezibabo! Jezibabo! | Antonín Dvořák, Renée Fleming, Franz Hawlata, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D Major | 0 | 10B | 145 BPM | ||
Otello / Act 4: "Piangea cantando nell'erma landa..." | Giuseppe Verdi, Kiri Te Kanawa, Elzbieta Ardam, Chicago Symphony Orchestra, Sir Georg Solti | B Major | 0 | 1B | 168 BPM | ||
Die Walküre / Erster Aufzug: "Aus dem Wald trieb es mich fort" | Richard Wagner, James King, Gottlob Frick, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti | C Minor | 1 | 5A | 90 BPM | ||
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | F Major | 1 | 7B | 88 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM | ||
Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | ||
La Traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 114 BPM | ||
Die Fledermaus / Act 3: Nr.13 Melodram: "So, da wär'n wir ja zu Hause" | Johann Strauss II, Benno Kusche, Bavarian State Orchestra, Carlos Kleiber | C Major | 0 | 8B | 95 BPM | ||
Götterdämmerung, WWV 86D / Erster Aufzug: "Nun hör, Hagen, sage mir, Held" | Richard Wagner, Gundula Janowitz, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 79 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM |
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