"Mozart: Don Giovanni, K. 527, Act 2 Scene 3: "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello)" by Wolfgang Amadeus Mozart, William Shimell/Samuel Ramey/Carol Vaness/Wiener Philharmoniker/Riccardo Muti was released on October 31, 1988. With Mozart: Don Giovanni, K. 527, Act 2 Scene 3: "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 19 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Don Giovanni, K. 527, Act 2 Scene 3: "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 3: "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello) by Wolfgang Amadeus Mozart, William Shimell/Samuel Ramey/Carol Vaness/Wiener Philharmoniker/Riccardo Muti to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act III: No.21 Morceau d'ensemble : Quant au douanier (Carmen/Frasquita/Mercédès/Le Dancaïro/Le Remendado/Le Bohémiens et Bohémiennes) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | ||
Bizet: Carmen: Qui sait de quel demon j'allais etre la proie! - Act One | Georges Bizet, Plácido Domingo, Kiri Te Kanawa | G Major | 2 | 9B | 77 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi | Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 0 | 9B | 65 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Eine schreckliche Nacht" - "Ihr Fremdlinge, was sucht ihr bei uns?" | Wolfgang Amadeus Mozart, Christoph Strehl, Hanno Müller-Brachmann, Georg Zeppenfeld, Danilo Formaggia | D♭ Major | 1 | 3B | 85 BPM | ||
Die Walküre / Erster Aufzug: "Friedmund darf ich nicht heißen" | Richard Wagner, James King, Gottlob Frick, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti | G Minor | 1 | 6A | 100 BPM | ||
La Cenerentola / Act 1: Date lor mezzo scudo | Gioachino Rossini, Fernanda Costa, Cecilia Bartoli, Michele Pertusi, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Minor | 2 | 6A | 107 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Si, si, la vincerò (Rosina/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Minor | 1 | 4A | 169 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
Messa di Requiem, Dies irae: Recordare | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | F Major | 1 | 7B | 75 BPM |
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