"Die Walküre / Erster Aufzug: "Friedmund darf ich nicht heißen"" by Richard Wagner, James King, Gottlob Frick, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #5. In terms of popularity, Die Walküre / Erster Aufzug: "Friedmund darf ich nicht heißen" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Walküre / Erster Aufzug: "Friedmund darf ich nicht heißen" by Richard Wagner, James King, Gottlob Frick, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM | ||
Das Rheingold, WWV 86A: "Ohe! Ohe! Schreckliche Schlange" | Richard Wagner, Set Svanholm, George London, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | B Major | 2 | 1B | 85 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 59 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Wo willst du kühner Fremdling hin?" | Wolfgang Amadeus Mozart, Paul Schöffler, Leopold Simoneau, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm | A Major | 0 | 11B | 63 BPM | ||
Tosca / Act 3: "Franchigia a Floria Tosca" | Giacomo Puccini, Giuseppe Di Stefano, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 125 BPM | ||
Elektra, Op.58, TrV 223: "Wo bleibt Elektra?" | Richard Strauss, Helen Watts, Maureen Lehane, Jane Cook, Yvonne Minton, Felicia Weathers, Pauline Tinsley, Wiener Philharmoniker, Sir Georg Solti | A Major | 2 | 11B | 77 BPM | ||
Lohengrin, WWV 75 / Act II: "Gesegnet soll sie schreiten" | Richard Wagner, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 80 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Verdi: Aida, Act 2: "Chi mai fra gl'inni e i plausi" (Schiave, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Minor | 1 | 6A | 88 BPM | ||
Madama Butterfly / Act 2: Addio fiorito asil | Giacomo Puccini, Luciano Pavarotti, Robert Kerns, Elke Schary, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 135 BPM |
Section: 1.1767029762268066
End: 1.1830074787139893