"Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo)" by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra was released on 1974. With Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #14 out of 55 tracks. In terms of popularity, Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Otello: Act III: Assisa a' piè d'un salice | Gioachino Rossini, Montserrat Caballé, Corinne Vozza, Carlo Felice Cillario, RCA Italiana Opera Orchestra | G Minor | 1 | 6A | 91 BPM | ||
La traviata / Act 2: "Che fai?" "Nulla" | Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | F Major | 2 | 7B | 90 BPM | ||
La Traviata / Act 2: Ah! Dite alla giovine | Giuseppe Verdi, Nathalie Manfrino, Etienne Dupuis, Samuel Jean, Orchestre National Avignon-Provence | A♭ Major | 2 | 4B | 171 BPM | ||
Mefistofele: Act I - Perchè di là | Arrigo Boito, Riccardo Muti | C Major | 3 | 8B | 127 BPM | ||
La Traviata / Act 1: Un dì felice, eterea | Giuseppe Verdi, Jean-Francois Borras, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence | C Major | 4 | 8B | 70 BPM | ||
Tosca / Act 1: "Ed io venivo a lui tutta dogliosa" | Giacomo Puccini, Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F♯ Major | 3 | 2B | 164 BPM | ||
Mefistofele: Act II - Ridda e fuga infernale - Ah! Su! Riddiamo... | Arrigo Boito, Riccardo Muti | A Minor | 4 | 8A | 68 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Tosca / Act 2: "Vedi, le man giunte" | Giacomo Puccini, Montserrat Caballé, Ingvar Wixell, Piero de Palma, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D♭ Minor | 4 | 12A | 108 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM |
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