Arrigo Boito, Riccardo Muti's 'Mefistofele: Act I - Perchè di là' came out on 1996. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 34 in Boito: Mefistofele by Arrigo Boito, Riccardo Muti. Based on our statistics, Mefistofele: Act I - Perchè di là's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mefistofele: Act I - Perchè di là by Arrigo Boito, Riccardo Muti is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op.47, R. 288 / Act 2: "Samson, recherchant ma présence ... Amour, viens aider ma faiblesse" | Camille Saint-Saëns, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 176 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Puts: The Hours, Act 1: "Oh! A Reminder, Ma’am, Your Sister's Coming at Two" (Nelly, Virginia, Richie, Laura, Kitty, Chorus, Angelica, Quentin, Julian, Man Under the Arch) [Live] | Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Eve Gigliotti, John Holiday, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Lena Josephine Marano, Metropolitan Opera Chorus, Patrick Scott McDermott, Sylvia D'Eramo, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Cavalleria rusticana: Tu qui, Santuzza? | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | ||
Adriana Lecouvreur / Act 1: "La dolcissima effigie" | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 2 | 4B | 79 BPM | ||
Mefistofele: Prologue - Salmodia Finale - Salve Regina! | Arrigo Boito, Riccardo Muti | A Major | 2 | 11B | 104 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Anna Tomowa-Sintow, Janet Perry, Agnes Baltsa, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 120 BPM |
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