"Werther - Ah non mi ridestar" by Mario del Monaco was released on September 27, 2011. The duration of Werther - Ah non mi ridestar is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Werther - Ah non mi ridestar's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 19 in Classic Tenor Collection by Mario del Monaco. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Werther - Ah non mi ridestar is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Werther - Ah non mi ridestar by Mario del Monaco is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Otello / Act 3: Quell' innocente un fremito | Giuseppe Verdi, Ana Raquel Satre, Nello Romanato, Athos Cesarini, Fernando Corena, Aldo Protti, Mario del Monaco, Renata Tebaldi, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 63 BPM | ||
De Curtis/ Arr Schifrin: Around the World Part 12: Torna a Surriento | Ernesto de Curtis, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Minor | 3 | 2A | 80 BPM | ||
Nina - Voice | Giovanni Battista Pergolesi, Richard Tucker | F♯ Major | 1 | 2B | 115 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Otello: Messere, son lieto di vedervi | Giuseppe Verdi, Dallas Civic Opera Chorus and Orchestra, Nicola Rescigno, Ramon Vinay, Lorenzo Gaetani, Mario del Monaco, Ilva Ligabue, Chorus, Michael Trimble | B Major | 2 | 1B | 135 BPM | ||
La Cenerentola: "Sì, ritrovarla io giuro" | Gioachino Rossini, Javier Camarena, Les Musiciens du Prince-Monaco, Gianluca Capuano | G Major | 3 | 9B | 65 BPM |
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