"La Cenerentola: "Sì, ritrovarla io giuro"" by Gioachino Rossini, Javier Camarena, Les Musiciens du Prince-Monaco, Gianluca Capuano was released on September 7, 2018. La Cenerentola: "Sì, ritrovarla io giuro" is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. Since Rossini: La Cenerentola: "Sì, ritrovarla io giuro" only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. La Cenerentola: "Sì, ritrovarla io giuro" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Cenerentola: "Sì, ritrovarla io giuro" by Gioachino Rossini, Javier Camarena, Les Musiciens du Prince-Monaco, Gianluca Capuano having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris | Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Major | 2 | 6B | 96 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 91 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) | Gioachino Rossini, Joyce DiDonato, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Edoardo Muller, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 1 | 12B | 131 BPM | ||
La Belle Hélène: Au mont Ida trois deesses | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | B♭ Major | 1 | 6B | 177 BPM | ||
La Marcha de las Letras - (En Vivo)[Centro Cultural Roberto Cantoral] | Javier Camarena | A Major | 6 | 11B | 116 BPM | ||
Il Barbiere di Siviglia: In somma, mio signore, chi è lei | Gioachino Rossini, Cesare Sterbini, Salvatore Baccaloni, Giuseppe Di Stefano, Lily Pons, Alberto Erede | D Major | 2 | 10B | 80 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 12: No. 17, Aria. "Un'aura amorosa del nostro tesoro" (Ferrando) | Wolfgang Amadeus Mozart, Alfredo Kraus, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | A Major | 1 | 11B | 91 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM |
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