Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu's '7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Jota' came out on July 31, 1997. The duration of 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Jota is about 3 minutes long, at 3:03. Based on our data, "7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Jota" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Traumerei: Romantic Violin Favourites". In this album, this song's track order is #4. Based on our statistics, 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Jota's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Jota by Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
フォーレ:夢のあとに | Gabriel Fauré, Emiri Miyamoto | F Minor | 2 | 4A | 95 BPM | ||
5 Stücke im Volkston, Op. 102: No. 2, Langsam | Robert Schumann, Gabriel Schwabe, Nicholas Rimmer | D♭ Major | 0 | 3B | 66 BPM | ||
Lied, Op. 19 (version for cello and piano) | Vincent d'Indy, Nicolas Altstaedt, José Gallardo | E♭ Major | 0 | 5B | 81 BPM | ||
Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM | ||
Romanza for Violin & Piano | Allan Pettersson, Ulf Wallin, Thomas Hoppe | B♭ Minor | 2 | 3A | 87 BPM | ||
Papillon, Op. 77 | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | F Minor | 0 | 4A | 81 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
2 Pieces: No. 1. The Moon | Benjamin Britten, Matthew Jones, Annabel Thwaite | G Major | 1 | 9B | 87 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM | ||
Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | G Major | 1 | 9B | 79 BPM |
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