"フォーレ:夢のあとに" by Gabriel Fauré, Emiri Miyamoto was released on July 20, 2022. The duration of フォーレ:夢のあとに is about 3 minutes long, at 3:18. Based on our data, "フォーレ:夢のあとに" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 12 in classique deux by Emiri Miyamoto. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, フォーレ:夢のあとに is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of フォーレ:夢のあとに by Gabriel Fauré, Emiri Miyamoto is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | A Minor | 1 | 8A | 126 BPM | ||
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
Drei Intermezzi, Op. 117: I. Andante moderato | Johannes Brahms, Arcadi Volodos | E♭ Major | 0 | 5B | 75 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Masques et Bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F Major | 1 | 7B | 135 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM |
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