Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim's 'Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante' came out on March 8, 2024. With Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 32 in Felix Mendelssohn: Lieder ohne Worte (Arr. for Violin and Piano by Ferdinand David) by Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante by Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viotti / Arr. Mozart: Violin Concerto in E Minor, WI:16: II. Adagio | Giovanni Battista Viotti, Yehudi Menuhin, Menuhin Festival Orchestra | E Major | 1 | 12B | 100 BPM | ||
Oboe Sonata, Op. 166: III. Molto allegro | Camille Saint-Saëns, Heinz Holliger, Anton Kernjak | E♭ Major | 0 | 5B | 66 BPM | ||
Lied, Op. 19 (version for cello and piano) | Vincent d'Indy, Nicolas Altstaedt, José Gallardo | E♭ Major | 0 | 5B | 81 BPM | ||
Chansons d'Hiroshima (Songs of Hiroshima - Hiroshima no Uta): III. Con sentimento | Yuzo Toyama, Ryo Kojima, Keigo Mukawa | G Minor | 0 | 6A | 130 BPM | ||
Braga: Angel's Serenade | Su Shien-Ta, Yu Tsui-Ling | G Minor | 1 | 6A | 110 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Violin Concerto in G Major, Op. 2 No. 1: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 124 BPM | ||
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
Serenade on Old Graz Contredanses, Op. 83b: V. Menuet | Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ | A Major | 2 | 11B | 103 BPM | ||
Serenade for Strings in E Major, Op. 22: IV. Larghetto | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek | E Major | 1 | 12B | 77 BPM |
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