"Chansons d'Hiroshima (Songs of Hiroshima - Hiroshima no Uta): III. Con sentimento" by Yuzo Toyama, Ryo Kojima, Keigo Mukawa was released on February 15, 2020. The duration of Chansons d'Hiroshima (Songs of Hiroshima - Hiroshima no Uta): III. Con sentimento is about 3 minutes long, at 3:03. Based on our data, "Chansons d'Hiroshima (Songs of Hiroshima - Hiroshima no Uta): III. Con sentimento" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 14 in Chansons d'Hiroshima by Ryo Kojima, Keigo Mukawa. Based on our statistics, Chansons d'Hiroshima (Songs of Hiroshima - Hiroshima no Uta): III. Con sentimento's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chansons d'Hiroshima (Songs of Hiroshima - Hiroshima no Uta): III. Con sentimento by Yuzo Toyama, Ryo Kojima, Keigo Mukawa is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Toyama: Cello Concerto: III. Andante | Yuzo Toyama, Mstislav Rostropovich, Moscow Radio Symphony Orchestra | D Minor | 1 | 7A | 68 BPM | ||
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Wind Quintet in A-Flat, Op. 14: I. Allegro moderato | Gustav Holst, Elysian Wind Quintet | G Major | 1 | 9B | 125 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
Quartettsatz in C Minor, Op. posth. D.703: Allegro assai | Franz Schubert, Jerusalem Quartet | A♭ Major | 1 | 4B | 111 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Toyama: Suite from Yugen: Dance of Men | Yuzo Toyama, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 4 | 5A | 115 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM |
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