Yuzo Toyama, Mariss Jansons, Oslo Philharmonic Orchestra's 'Toyama: Suite from Yugen: Dance of Men' came out on January 1, 1998. The duration of Toyama: Suite from Yugen: Dance of Men is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Toyama: Suite from Yugen: Dance of Men's duration is considered a little bit shorter than the average duration of a typical track. This song is part of World Encores by Mariss Jansons, Oslo Philharmonic Orchestra. The song's track number on the album is #14 out of 20 tracks. In terms of popularity, Toyama: Suite from Yugen: Dance of Men is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Toyama: Suite from Yugen: Dance of Men by Yuzo Toyama, Mariss Jansons, Oslo Philharmonic Orchestra has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Toyama: Suite from Yugen: Dance of Men being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | ||
La Source, Op. 23 | Albert Heinrich Zabel, Elinor Bennett | E♭ Major | 1 | 5B | 76 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Morceau de concert, Op. 94: I. Allegro moderato | Camille Saint-Saëns, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | F Minor | 1 | 4A | 121 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Furies | Christoph Willibald Gluck, Daniel Hope, Zurich Chamber Orchestra | D Minor | 4 | 7A | 153 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: Coda. Moderato | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 1 | 9A | 130 BPM | ||
Idylle Printemps | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Debussy: Fantaisie for Piano and Orchestra, CD 72, L. 73: I. Andante - Allegro | Claude Debussy, François-René Duchâble, Orchestre National Du Capitole De Toulouse, Michel Plasson | D Major | 1 | 10B | 170 BPM |
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