Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ made "Serenade on Old Graz Contredanses, Op. 83b: V. Menuet" available on April 1, 2022. The duration of Serenade on Old Graz Contredanses, Op. 83b: V. Menuet is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Serenade on Old Graz Contredanses, Op. 83b: V. Menuet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Takács: Orchestral Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Serenade on Old Graz Contredanses, Op. 83b: V. Menuet is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Serenade on Old Graz Contredanses, Op. 83b: V. Menuet by Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
Symphony No. 96 in D Major, Hob. I:96 "The Miracle": IV. Finale. Vivace assai | Joseph Haydn, Danish Chamber Orchestra, Ádám Fischer | D Major | 1 | 10B | 93 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Sinfonia In E Flat Major, Wq. 183/2, H. 664: I. Allegro Di Molto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Symphony No. 49 in F Major: III. Presto ma non troppo | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 80 BPM | ||
Organ Concerto in G Minor: Allegro giocoso | Francis Poulenc, Franz Hauk, Anno Kesting, Markus Poschner, The Georgian Chamber Orchestra Ingolstadt | A Major | 0 | 11B | 135 BPM | ||
3 Pieces for Strings: No. 2, Paprika Jancsi | Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ | B♭ Major | 1 | 6B | 97 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": Ic. Sinfonia: Adagio religioso | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | D Major | 0 | 10B | 75 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM |
Section: 1.1112053394317627
End: 1.1157984733581543