"Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": Ic. Sinfonia: Adagio religioso" by Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius was released on January 1, 2009. Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": Ic. Sinfonia: Adagio religioso is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius's "Mendelssohn: Lobgesang" album is number 3 out of 12. On top of that, Germany appears to be the country where this track was created. Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": Ic. Sinfonia: Adagio religioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": Ic. Sinfonia: Adagio religioso by Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hummel: Trumpet Concerto in E-Flat Major, WoO 1: I. Allegro con spirito | Johann Nepomuk Hummel, Lucienne Renaudin Vary, Michael Sanderling, Luzerner Sinfonieorchester | D Major | 2 | 10B | 160 BPM | ||
Symphony No. 1, Op. 11: IV. Allegro con fuoco | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Alcina, HWV 34, Act II: Entrée des Songes funestes | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 2 | 3A | 144 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso | Classic FM Orchestra | E♭ Major | 4 | 5B | 124 BPM | ||
Divertimento in F for String Ensemble, K.138: iii. Presto | Mozart, English Chamber Orchestra, David Blum | C Major | 1 | 8B | 76 BPM | ||
Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: II. Allegro moderato | Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon | A♭ Minor | 3 | 1A | 79 BPM |
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