"Fantasia: II. Lent (Arr. For saxophone and piano)" by Heitor Villa-Lobos, Paquito D'Rivera, Aldo Antognazzi was released on January 1, 2012. The duration of Fantasia: II. Lent (Arr. For saxophone and piano) is about 3 minutes long, at 3:24. Based on our data, "Fantasia: II. Lent (Arr. For saxophone and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Brenda Feliciano, Paquito D'Rivera, Aldo Antognazzi's "Musica de dos mundos" album is number 4 out of 15. On top of that, Argentina appears to be the country where this track was created. Based on our statistics, Fantasia: II. Lent (Arr. For saxophone and piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasia: II. Lent (Arr. For saxophone and piano) by Heitor Villa-Lobos, Paquito D'Rivera, Aldo Antognazzi to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impresiones intimas: II. Pajaro triste | Federico Mompou, Olena Kushpler | D♭ Minor | 0 | 12A | 128 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Valsa-Choro no.11 | Clelia Iruzun | A♭ Minor | 0 | 1A | 72 BPM | ||
Introduction and Allegro for Harp, Flute, Clarinet and String Quartet | Maurice Ravel, Zoltán Gyöngyössy, Béla Kovács, Eva Maros, Kodály Quartet | E♭ Minor | 1 | 2A | 85 BPM | ||
Bachianas brasileiras No. 1: I. Introduction: Embolada | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | G Minor | 1 | 6A | 91 BPM | ||
Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Castillos de Espana II: Torija (Elegia) | Federico Moreno Torroba, Pablo Sainz Villegas | D Major | 0 | 10B | 100 BPM | ||
Gita no tame no juni no uta (12 Songs for Guitar): No. 2. Lennon / McCartney: Yesterday | Toru Takemitsu, Shin-ichi Fukuda | A Major | 0 | 11B | 94 BPM |
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