"Poème de l'amour et de la mer, Op. 19: Interlude" by Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch was released on March 1, 2019. The duration of Poème de l'amour et de la mer, Op. 19: Interlude is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Poème de l'amour et de la mer, Op. 19: Interlude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 6 in Chausson: Poème de l'amour et de la mer & Symphonie, Op. 20 by Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Poème de l'amour et de la mer, Op. 19: Interlude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poème de l'amour et de la mer, Op. 19: Interlude by Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Rachmaninov - String Quartet No.1: Romance | Sergei Rachmaninoff, Borodin Quartet | B♭ Major | 1 | 6B | 108 BPM | ||
Le temps des lilas (From "Poème de l'amour et de la mer, Op. 19") | Ernest Chausson, Véronique Gens, Susan Manoff | B♭ Major | 1 | 6B | 91 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Piano Concerto No. 3 in C Major, Op. 26: 2. Tema con variazioni | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 80 BPM | ||
Au pays où se fait la guerre | Henri Duparc, Véronique Gens, Susan Manoff | D♭ Major | 2 | 3B | 185 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 67 BPM | ||
Symphony No. 3 in C Major, Op. 52: I. Allegro moderato | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM |
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