Toru Takemitsu, Shin-ichi Fukuda's 'Gita no tame no juni no uta (12 Songs for Guitar): No. 2. Lennon / McCartney: Yesterday' came out on April 1, 2014. The duration of Gita no tame no juni no uta (12 Songs for Guitar): No. 2. Lennon / McCartney: Yesterday is about 3 minutes long, at 3:17. Based on our data, "Gita no tame no juni no uta (12 Songs for Guitar): No. 2. Lennon / McCartney: Yesterday" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Takemitsu: Complete Original Solo Guitar Works". In this album, this song's track order is #16. In terms of popularity, Gita no tame no juni no uta (12 Songs for Guitar): No. 2. Lennon / McCartney: Yesterday is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gita no tame no juni no uta (12 Songs for Guitar): No. 2. Lennon / McCartney: Yesterday by Toru Takemitsu, Shin-ichi Fukuda having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
All in Twilight −Four pieces for guitar−: IV. Slightly Fast | Toru Takemitsu, Masao Tanibe | D♭ Minor | 1 | 12A | 106 BPM | ||
Suite del recuerdo: Carnavalito - Evocacion - Joropo | Jose Luis Merlin, Jason Vieaux | B Minor | 2 | 10A | 98 BPM | ||
Toward the Sea II: III. Cape Cod | Toru Takemitsu, Yolanda Kondonassis, Joshua Smith, Bridget-Michaele Reischl, Oberlin 21 | B♭ Minor | 0 | 3A | 102 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
3 Piezas Rioplatenses: Don Julian | Maximo Diego Pujol, Victor Villadangos | C Major | 1 | 8B | 150 BPM | ||
Por ti mi Corazon (version for guitar) | Manuel Ponce, Jason Vieaux | A Major | 0 | 11B | 81 BPM | ||
Sainz de la Maza: La frontera de Dios: V. Sacrificio | Regino Sáinz de la Maza, Thibaut García | E Minor | 0 | 9A | 70 BPM | ||
The Gnomes, Op. 77 | Ernest Shand, Alexandra Whittingham | E Minor | 4 | 9A | 130 BPM | ||
Tucututa | Victor Villadangos | G Minor | 0 | 6A | 90 BPM |
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